Kalki 2898 AD Worldwide Box Office: Mega budget film ‘Kalki 2898 AD’ is creating a stir at the box office. Apart from 2D, the film has also been released in 3D and IMAX. This film with a budget of approximately 600 crores has got a rating of 8 out of 10 on IMDb and the public response is also great. Till Sunday, the film has done a business of 302 crores at the Indian box office alone. Out of this, the film has earned 110 crores rupees only from the Hindi version. The film’s collection at the worldwide box office is even more dangerous.
555 crores earned in just 4 days
The makers of this film starring Amitabh Bachchan, Prabhas and Deepika Padukone posted on their official X handle on Monday that the gross worldwide box office collection of the film in just 4 days has crossed Rs 550 crore. The makers shared a unique poster of the film and wrote – It has earned Rs 555 crore and the count is still on. The biggest power is ruling the worldwide box office. There are no signs of slowing down yet.
How is the public reaction in the comment section?
A social media user wrote on the post – This film is a complete disaster. Kalki 2898 AD. A user has called this film a box office bulldozer. Some have called it the king of Indian cinema, while some are calling it an epic blockbuster. This film, which connects the Mahabharata era with the present and the future, is being called the most expensive film in the history of Indian cinema till date. Kalki, directed by Nag Ashwin, has been in the headlines ever since its announcement.
Will the film enter the profit zone on the fifth day?
Earlier the makers had named it Project-K but then at the time of title announcement its name came out as ‘Kalki 2898 AD’. The trailer and teaser of the film went viral as soon as it was released. This sky fiction film, which tries to take Indian cinema to a different level, had a total budget of Rs 600 crore, and in just 4 days it has earned Rs 550 crore. In such a situation, now it has to be seen what is the total box office collection of this film.
